Weekly Roundup 34

i. To round off the year, Paul Coldwell led a group crit and shared his opinions on the second year final exhibition. He told the second years (and us) not to lose their ambition, to get their work out there ('With every piece of work on display, something may happen. With every piece under your bed, nothing will happen.'), and to figure out where they see themselves in the future (exhibiting, teaching, writing etc.). It was inspiring to see Paul challenge the second years about life after Camberwell and refreshing to see someone in an art school offering advice on the practicalities of a career as an artist.

ii. Uni is finished for the year and the summer holidays have fully arrived! It's going to be a bit of a juggling act trying to manage a social life, driving lessons, visiting exhibitions, painting, drawing at the Three Crowns, using the print studio and working on my research paper. No doubt it'll all come together but it seems a bit manic at the moment!

ii. I've begun collaging and re-working photocopies of my sketchbook drawings from the pub. It's an enjoyable and playful process recreating interactions between locals and working out compositions. These may lead to more drawings, prints or even paintings - but how do I ensure this work doesn't end up too illustrative?

 2018, collage, felt-tip pen and pencil on paper

2018, collage, felt-tip pen and pencil on paper

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iii. This week I experimented with etching (instead of making monotypes) during my time at Bath Artist Printmakers (I can see this project being comprised of various printmaking processes, drawings and maybe painting). The print below contains elements of sugarlift, soft ground etching and aquatint. It's a bit of a mess technically but contains some exciting mark-making possibilities worth exploring further!

 
 2018, etching and aquatint

2018, etching and aquatint