Weekly Roundup 20

i. Not only did I get two prints in the Bath Society of Artists show but I also won the Harry Walker Young Artists Prize for my portrait of Becky. Both prints on show were made from life at Bath Artist Printmakers a couple of years ago and, when I rejoin in the summer, want to continue them as a series. I'm particularly proud of these two portraits and am delighted to have them hanging on the walls of the Victoria Art Gallery for the next couple of months. I attended the opening night and prize-giving with Becky, mum and dad and then went out for a meal - a really lovely evening.

2018:3 Bath Society of Artists.jpg
  Becky,  2016, monotype

Becky, 2016, monotype

ii. I attended a talk by Jon Benington on Howard Hodgkin's relationship with Bath and the Victoria Art Gallery - a fascinating and personal insight into the life of a very private man. I was particularly pleased to find out that the first piece of artwork Hodgkin exhibited was as part of the Bath Society of Artists show in the 1950s. 

 Howard Hodgkin,  Still Life,  1950s, oil on board

Howard Hodgkin, Still Life, 1950s, oil on board

 Howard Hodgkin,  Leaf,  2007-9, oil on wood

Howard Hodgkin, Leaf, 2007-9, oil on wood

iii. I received my Mid Point Review feedback. It was neither particularly good or bad but did raise some interesting points.

'You should consider the difference between the self-portrait and the other-portrait. You discuss connections and there is more here to unpack. How do we connect to our own reflection? When drawing ‘strangers’ we don’t draw a reflection of them like we do of ourselves, but rather we see them how they cant see themselves.

You must try to liberate yourself from anxiety of making and try things that don’t work as well as celebrate successes. There is also digital language and contemporary discourse around the ‘selfie’ that you should explore further – try digital methods to see what is allows.

You have received a lot of varied feedback so far throughout the academic year. You must now reflect on this and consider how you move forward through this feedback, filtering and defining a deeper personal direction.'

It's certainly true that I need to figure out how to develop and engage further with my proposal. I will look into the above and really consider my direction ready for next term.

iv. I'm delighted (and relieved) to have some time off from both school and uni. I have spent the first week working on a portrait of retiring headmaster Nigel (commissioned by the school) ready for the end of the academic year. I think it's sometimes worth remembering that these things are not side projects but valid and important aspects of the same emerging artistic practice/career.